New Chronologies of Sound, by Various Artists

New Chronologies of Sound

by Various Artists

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1.	Laura Romero - MASA 04:44	info	buy track
2.	Lawrence English - After Dark in Shizumi 04:48	info	buy track
3.	Kyoka - BirdVoiceWindNoise 04:30	info	buy track
4.	Miguel Isaza - Por Ahora 04:23	info	buy track
5.	Sonoscopia - Luminous Flux 04:12	info	buy track
6.	Matthew Herbert - 10,001 Drops of Composer's Blood 01:27	info	buy track
7.	Hugo Branco - Sterolized (We shall not be tamed) 04:47	info	buy track
8.	AGF - Friction, the Gate 04:14	info	buy track
9.	Diana Combo - Mosso, Poco Mosso, Quasi Calmo (excerpt) 04:25	lyrics	buy track
My experiments with cymbals were recorded by John Grzinich with microphones that he built himself and the sound edition is my own.
10.	Budhaditya Chattopadhyay - Indecent Whispers 04:33	info	buy track
11.	Natalia Valencia Zuluaga - Journey Through the Glass 04:36	info	buy track
12.	BJ Nilsen - Three Locations 04:30	info	buy track

about

* AN ODD COLLECTION OF SOUND WORKS FOR EVEN ODDER TIMES *

Every event of planetary dimensions generates a new perceived time axis: a collectively perceived "before-during-after relation", shared at a global scale. If “before” means what most of the world has obliviously come to consider as normality; and “during” refers to the current situation of confinement, de-confinement or re-confinement (depending on the context); “after” still insists, maybe more than ever, in presenting itself as an absolute enigma, open to infinite new speculations, anxieties and expectations.

How does this new perceived time axis affect our ways of listening? How does it affect the ways in which we create? How can fields such as sound art and acoustic ecology generate reflection about the new anxieties and expectations introduced by such uncertainty? And how are sound artists across the globe responding to emerging limitations and challenges?

Commissioned by the Aveiro Municipality via Teatro Aveirense within the context of the "Culture in Times of (un)Certainty” municipal strategy, "New Chronologies of Sound" proposes to generate debate on such issues by developing a collection of sound works based on field recordings, which reflect upon those matters. The artistic research project gathers artists and researchers from all over the globe, encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds.

Furthermore, through the support of Direcção Geral das Artes and the partnerships established with organisations such as MAMM, INET-md, GrETUA, MUSA or AEJE, the original project has branched out into other promising courses, such as an exhibition taking place at the Museum of Modern Art of Medellín, Colombia; the "Negative Mass" free sound bank, comprised of samples and recordings used by the participant artists to compose their sound works; and the "A Collection of Whispers" selection of essays, which debate, from a sonic perspective, the emergence of a new perceived time axis due to the global pandemic landscape.

credits

released July 9, 2021

Commissioned by Teatro Aveirense / Aveiro Municipality
Curatorship by Hugo Branco
Consultancy by Jorge Barco
Mastered by Lawrence English
Cover illustration by Lägrima
Cover design by Nayara Siler
With the support of Direcção Geral das Artes
Partners: MAMM | INET-md | GrETUA | MUSA | AEJE

--

plataforma.aveiro2027.pt/en
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